Irony
Unnamed Nine, 2017 — Side Slide :: (click to see more)
Back years ago when I was shooting both panchromatic and infrared black and white film, it was a lengthy process to get from shooting to an image. I had the film processing down to a consistent procedure that I could largely do while sitting reading but ...
Urgency
Unnamed Eight, 2017 — Side Slide :: (click to see more)
There's always an urgency for me when I'm shooting. Most of what I see in the world is fleeting and short lived - a momentary alignment where the light, the shadow, the subject, the colour, the framing - all of it are perfect. Where it ...
Available Light
Unnamed Seven, 2017 — Side Slide :: (click to see more)
When I first began shooting black and white in grade 9 the camera club had no flash units - just 35mm Pentax cameras. So I got used to shooting using available light. Over the years as I bought camera equipment it was the camera and then ...
Simplify
Unnamed Six, 2017 — Side Slide :: (click to see more)
For some reason I've never spent a lot of money on camera gear. I suppose it's something that began in my student days of limited money but then became a habit. Although, when it comes to anything shiny new and technical, I do tend to ...
Alternate Processes
Unnamed Five, 2017 — Side Slide :: (click to see more)
I was speaking with a client yesterday about alternate photographic printing processes - gum bichromate, salted paper, and cyanotype. In the early 90's I took a bunch of different workshops at Gallery 44 where they taught alternate printing processes like these. Looking back on the ...
Post Race
1987 | 2017
Maui Tree
1994 | 2011
Archival Pigment Print
33" x 48"
edition of 10