Rhythm
Unnamed Twenty One, 2017 — Sidelong :: (click to see more)
Wait a sec - I’m not interested in the intersection of time and rhythm, like I said last week – it’s just rhythm.
Time is a factor of rhythm not a separate element – so are cycles, so is movement, so is pattern. This is why music ...
The Coming Apocalypse – er Singularity
Isentropic lift, 2017 — Convergent :: (click to see more)
I was thinking about how photography and music production software and equipment has improved so incredibly over my career. This has boosted the quality of work produced by artists and we've collectively come to expect more from artists too. The software and equipment improvements have ...
Simple Pleasures
Red Smear Over Orange Brown, 2013 – Light Signatures :: (click to see more)
I've been struggling today with fatigue and disillusionment. Trying to think about what to write and not too happy with myself in general - in short - moping.
But as I'm finishing this image I'm thinking what would it take to lift ...
Equivalents
Undulating Green Smoke, 2013 – Light Signatures :: (click to see more)
I just read about a body of work Alfred Stieglitz made of clouds he titled Equivalents. For him, they were equivalent to music. I'd never heard of this work of his before but it immediately felt right. The premise that you can make ...
Why Order From Chaos?
Stormy Sky Over Dark Water, 2013 – Light Signatures :: (click to see more)
I've been trying to get to the heart of why chaos and order are so fundamental to my efforts. I could cite the patterning by music I was so thoroughly exposed to in my formative years as a source. But also ...
It Started With Beauty
Green Pink Orange Red Wisps, 2012 - Light Signatures :: (click to see more)
When I first began talking about the images I was making, I used to say I was searching for beauty with my work. But as time passed, as I gave it more thought, as I matured (chuckle), I came to realize ...